Techno’s biggest flaw is its self-referencial tendency. You know the deal, the common contemporary DJ/Producer steals an Underground Resistance-Record from his older brother at the age of 16 (biographical details may vary, not to impair the facts, though), thus presuming to have found the holy grail (what, of course, nobody is claiming to deny). His world is shrinking down to Detroit, Chicago, New York and Berlin within the following years, he’ll equip himself with records and turntables and not look...
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